Day-to-Day Responsibilities
Read the script and shot list with the director and camera team to plan the sound for each scene.
Place boom microphones and lavalier (lapel) mics so dialogue is clear without showing on camera.
Set levels on the field mixer and recorder, and monitor the audio through headphones during every take.
Record room tone and ambient sound on location so editors have material to smooth out cuts.
Manage wireless mic systems, batteries, cables and backups, and check sync with the camera timecode.
Log takes, note problems such as traffic noise or wind, and tell the director when a take needs a retake.
Hand over clean, labelled audio files to the post-production sound team at the end of each shoot day.


